Reading Guitar Tablature
Written
by Howard Wright
Howard.Wright@ed.ac.uk
OLGA_TABFAQ: V1.0
Last update : 1st September 1999
CONTENTS - Part I
------------------
1.0
What is TAB
1.1
What TAB will tell you
1.2
What TAB won't tell you.
Reading Tab :
--------------
2.0
TAB notation - The Basics
2.1
Other symbols used in TAB
2.2
Hammer ons and pull offs
2.3
Bends
2.4
Slides
2.5
Note length information
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*****************************
*** 1.0 WHAT IS TAB ***
*****************************
TAB
or tablature is a method of writing down music played
on guitar or bass.
Instead of using symbols like in standard musical notation,
it uses ordinary
ASCII characters and numbers, making it ideal for places
like the internet
where anybody with any computer can link up, copy a
TAB file, and read it.
****************************************
*** 1.1 WHAT TAB WILL TELL YOU ***
****************************************
TAB will tell you what notes to play - it will tell
you which string to hit
and which fret to fret it at.
TAB
will tell you where hammer-ons, pull-offs, bends, slides,
harmonics and vibrato are used.
TAB
will tell you what tuning the piece is in. If this isn't
given
explicitly, assume normal tuning. TAB should also give
you information
on use of capos etc.
TAB
will give you an indication of the ryhthm of the piece
- i.e it will tell
you which are the long notes and which are the short
notes.
However
it will not tell you exactly how long or how short they
are.
This
leads me on to ...
******************************************
*** 1.2 WHAT TAB WILL NOT TELL YOU ***
******************************************
TAB
will (usually) not tell you the note lengths of the
notes - so in most
cases you will *have* to listen to the song yourself,
with the TAB in front
of you to work out the ryhthm of the notes.
TAB
will not tell you which fingers you use to fret which
note.
TAB
will (usually) not tell you anything about picking and
strumming -
you will have to decide for yourself where to use upstrokes/downstrokes
and so on.
*******************************************
*** 2.0 TAB NOTATION - THE BASICS ***
*******************************************
TAB is simple to read, and should be simple to write
if you want to submit
a song you have worked out yourself. The idea is this
:
You
start out with 6 lines (or four for bass). These correspond
to the strings of the instrument. The top line is the
highest pitch string, and the bottom line is the lowest
pitch string. Below is a blank bit of TAB with the string
names at the left.
E---------------------------------------------
B---------------------------------------------
G---------------------------------------------
D---------------------------------------------
A---------------------------------------------
E---------------------------------------------
Numbers are written on the lines to show you where to
fret the string
with the left hand. If a zero appears , this means play
the open string.
Like standard musical notation, you read from left to
right to find
out what order to play the notes. The following piece
of TAB would mean
play the sequence of notes (E F F# G G# A) on the bottom
E string by
moving up a fret at a time, starting with the open string.
E---------------------------------------------
B---------------------------------------------
G---------------------------------------------
D---------------------------------------------
A---------------------------------------------
E---0--1--2--3--4--5------------------------
OK so far ?
Here
we have notes being played one at a time. If two or
more notes
are to be played together, they are written on top of
one another,
again just like standard notation.
In
the next example we have a G bar chord.
E----3----------------------------------------
B----3----------------------------------------
G----4----------------------------------------
D----5----------------------------------------
A----5----------------------------------------
E----3----------------------------------------
So this means play all these notes together as a chord.
You
might see the same chord written like this :
E--------3------------------------------------
B-------3-------------------------------------
G------4--------------------------------------
D-----5---------------------------------------
A----5----------------------------------------
E---3-----------------------------------------
Which would mean strum the same shape starting at the
bottom string, so
that each string is hit slightly later than the last
string, but all notes
will ring together. Below is am example of the same
shape again, but now
the gaps between the notes are bigger - so you would
probably pick the
strings separately instead of slowly strumming the shape.
E------------------3--------------------------
B---------------3-----3----------------------
G------------4-----------4-------------------
D---------5-----------------5----------------
A------5-----------------------5-------------
E---3-----------------------------3----------
You might ask - How do I know how fast or slow to play
this ?
Are all the notes supposed to be the same length ?
This is where TAB differs from standard notation. Most
often TAB
will *not* give you any information on the note lengths.
It is usually
left up to you to listen to the song to pick up the
rhythm.
However
- don't despair. TAB should give you some indications
of
timing. In the example above all the notes are evenly
spaced so you
can reasonably assume that the notes are the same length
(maybe all
eighth notes or quavers) but this may not always be
true - it depends on
who wrote the TAB.
As
a general rule, the spacing of the notes on the TAB
should tell you
which notes are the long ones, and which are the short
and fast ones, but
obviously it won't tell you if a note is a triplet or
anything like
that. Again, this will depend strongly on the person
who wrote the
TAB.
As
an example, here are the first few notes of the American
National
Anthem in TAB. You should see fairly clearly that the
different spacing
corresponds to the different note lengths.
E-----------------------0--------4--2-0-----------------
B---0--------------0---------------------------------0--
G------1------1----------------------------1----3-------
D--------2-----------------------------------------------
A--------------------------------------------------------
E--------------------------------------------------------
Obviously it will be a lot easier to play the TAB for
a song you
know well than for a song you've never heard of because
you will
already be familiar with the ryhthms of the familiar
song.
*****************************************
*** 2.1 OTHER SYMBOLS USED IN TAB ***
*****************************************
So far I've looked at what notes to play : which string
to hit, and
where to fret it. I've mentioned how to get an idea
of note lengths
by looking at the spaces between notes on the TAB, but
this can only
be a rough guide. You will always have to check with
the original track
to work out details of the rhythm.
A
lot of other imprtant information can be included in
a piece of TAB.
This includes hammer-ons, pull offs, slides, bends,
vibrato and so on.
The
standard practice is to write extra letters or symbols
between notes
to indicate how to play them. Here are the letters/symbols
most
often used :
h - hammer on
p - pull off
b - bend string up
r - release bend
/ - slide up
\ - slide down
v - vibrato (sometimes written as ~)
t - right hand tap
x - play 'note' with heavy damping
For slides, s is sometimes used to indicate either an
up or down slide.
Symbols for harmonics are explained below in Section
3.2
That
last one, the x, is used to get a choppy, percussive
sound.
You usually use your fretting hand to lightly damp the
strings so
that when you pick the note it sounds dead.
Note
that the use of 'x' is *totally* different from the
use of
an 'x' when giving chord shapes.
For
example if you wrote the chord of D, you would see :
EADGBE
xx0232
where the 'x's mean do not play this string.
In
tab it is implicitly assumed that a string is not played
if it is not
marked. So the same chord in TAB would be :
E-----2---------------------------------
B-----3---------------------------------
G-----2---------------------------------
D-----0---------------------------------
A---------------------------------------
E---------------------------------------
with
no 'x'. The x is is only used in TAB to represent a
heavily
muted string which is picked/strummed to give a percussive
sound.
There
are a number of other symbols for things like whammy
bar bends,
pick scrapes and so on. There seems to be no particular
standard
way of writing these - details should be given in the
TAB to explain
what the symbols mean.
Bass
TAB will probably need a few extra symbols to cope with
the
different techniques used in bass playing - for example
slapping
and 'popping' the string with thumb or middle finger.
You could use 's' for slap and 'p' for pop as long as
you wrote
them *underneath* the lines of tab to distinguish them
from slide
and pull off which would be written *on* the lines of
tab.
****************************************
*** 2.2 HAMMER ONS AND PULL OFFS ***
****************************************
With hammer-ons and pull-offs you might find things
like these :
E---------------------------------------
B---------------------------------------
G---------------------------------------
D---------------------------------------
A---------5h7-----------5h7-----------
E---0--0----------0--0-----------------
which would mean play the open E twice, then hit the
A string at the
5th fret and hammer on to the 7th fret.
Pull offs look very similar :
E----3p0-------------------------------
B---------3p0--------------------------
G--------------2p0---------------------
D-------------------2-------------------
A---------------------------------------
E---------------------------------------
Here we have a descending blues scale using pull-offs
to the open
strings. For each pull off you only pick the first note
of the pair
with the right hand - so in this example you would pick
all the
notes on the 3rd and 2nd frets, and the open strings
would be
sounded by pulling off.
Because you give the string an extra bit of energy when
you hammer on
and pull off, you only need to hit the first note with
the picking hand.
You could even have a long string of hammer-ons and
pull-offs like
this :
E---------------------------------------
B---------------------------------------
G---2h4p2h4p2h4p2h4p2h4p2---------
D---------------------------------------
A---------------------------------------
E---------------------------------------
In
this case you only pick the first note.
Note
- you might see other symbols used to mean hammer on
or pull off, for example ^ can be use to mean hammer-on
and pull-off.
e.g
:
G---2^4^2----
which
would mean "hit the note at the 2nd fret, hammer-on
to the 4th and
pull-off to the 2nd fret". It would make things
easier if everyone used
the same symbols, so unless you have a strong objection
to 'h' and `p`
please use those. In any case, for any tab you send
you should always
explain what your symbols mean so if you use anything
'unconventional'
make sure you explain what it means.
**********************
*** 2.3 BENDS ***
**********************
When bends are involved you need to know how much to
bend the note
up. This is indicated by writing a number after the
'b'.
For example, if you see this :
E---------------------------------------
B------7b9-----------------------------
G---------------------------------------
D---------------------------------------
A---------------------------------------
E---------------------------------------
it means strike the B string at the 7th fret, then bend
the note up
two semitones (one whole step) so that it sounds the
same pitch as
a note fretted at the 9th fret would do. (Sometimes
the bend is
written with the second part in brackets, like this
---7b(9)--- )
Something
like this :
E----------------------------------------
B------7b9--9r7------------------------
G---------------------------------------
D---------------------------------------
A---------------------------------------
E---------------------------------------
means play the note at the 7th fret, bend up two semitones,
strike the
note again whilst it is still bent, then release the
bend so that the
note has it's normal pitch.
Sometimes
a pre-bend is used - this is where the string is bent
up
*before* the note is struck. After striking the note,
the bend is
released. Pre-bends are usually written like this:
E----------------------------------------
B------(7)b9r7--------------------------
G----------------------------------------
D----------------------------------------
A----------------------------------------
E----------------------------------------
This
means: fret the note at the 7th fret and bend the string
up two
semitones (without actually playing the note). Now strike
the string and
release the bend.
You sometimes get a note which is bent up only a quarter
of a tone or so.
In this case it would look a bit strange to write :
B--------7b7.5--------
if
you have to bend it up half a fret's worth.
Instead it's written as :
bend up 1/4 tone
E-----------------------------------------
B------7b--------------------------------
G----------------------------------------
D----------------------------------------
A----------------------------------------
E----------------------------------------
with
instructions on how much to bend written above the note.
**********************
*** 2.4 SLIDES ***
**********************
The most common symbols used for slides are / for a
slide
up and \ for a slide down.
You
might also see 's' used to mean slide.
You
don't always need separate symbols for 'up' and 'down'
slides
since a line of TAB reading :
E------------------------------------------
B------7/9--------------------------------
G-----------------------------------------
D-----------------------------------------
A-----------------------------------------
E-----------------------------------------
is
clearly a slide *up* from 7th to 9th fret. However you
might
also see things like these :
E------------------------------------------
B------/7-9-7\-----------------------------
G------------------------------------------
D------------------------------------------
A------------------------------------------
E------------------------------------------
where
the exact start or finish of a slide is not given. Here
you
have to know whether you're sliding up or down. In these
cases use
your judgement to choose the starting or finishing fret.
The effect
usually desired is to have a note 'swooping in' from
a lower pitch
or dropping suddenly in pitch as the note fades.
You could have a whole series of slides running together,
like this
E--------------------------------------------
B------7/9/11\9\7\6\7-----------------------
G-------------------------------------------
D-------------------------------------------
A-------------------------------------------
E-------------------------------------------
which
would mean you only strike the first note with the pick
using
the sustain to produce the other notes.
***************************************
*** 2.5 NOTE LENGTH INFORMATION ***
***************************************
Occasionally you will find TAB which includes information
on all
of the note lengths. There seems to be no particular
'standard'
way of doing this, but it usually involves a line of
letters or
symbols above the TAB.
See
below (Section 3.2 part 6) for more details.
If
the explanation of the timing symbols is not given in
the TAB
then you've got a problem !
In this case a quick email to the author to ask for
enlightenment
is the only way forward.
--------
That's
all I *think* you need to know about reading and writing
TAB.
If there's anything important you think I've left out
or if there
are bits of the FAQ which you can't understand then
let me know.
You can contact me at : Howard.Wright@ed.ac.uk
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